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Date: 2007-11-19 09:49 am (UTC)no subject
Date: 2007-11-19 10:15 am (UTC)no subject
Date: 2007-11-19 10:20 am (UTC)Спасибо большое :-))
Женаты, по всей видимости, уже около года. ИМХО.
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Date: 2007-11-19 10:38 am (UTC)no subject
Date: 2007-11-19 11:01 am (UTC)Муж демонстративно читает книжку, а жена обиделась на него, что он на нее не обращает внимание. Цветы разбросаны, зеркало на траве валяется...
В общем, они мне напоминают кого-то из героев Джейн Остен. Может быть, так мистера и миссис Беннет в молодости...
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Date: 2007-11-19 11:02 am (UTC)no subject
Date: 2007-11-19 11:44 am (UTC)no subject
Date: 2007-11-19 11:56 am (UTC)А с другой стороны - почему бы ей тоже книжку не почитать?:)
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Date: 2007-11-19 12:19 pm (UTC)Классная картинка. Скорее всего это самые что ни на есть новобрачные.
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Date: 2007-11-19 01:51 pm (UTC)no subject
Date: 2007-11-19 04:29 pm (UTC)no subject
Date: 2007-11-20 02:05 am (UTC)А еще мне юноша понравился почему-то.
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Date: 2007-11-21 02:23 am (UTC)http://www.davidbordwell.net/blog/?p=901
Date: 2007-11-21 02:00 pm (UTC)Putting aside the symbolic connotations, though, the strong cues supplied by the figures’ postures and expressions point us toward the sort of slight changes in body language provided by acting in early cinema. Some viewers think that early film acting was expansive and overblown, but that’s not always the case. Here is an instance from Evgenii Bauer’s Twilight of a Woman’s Soul (1913), in which Vera starts to confess an indiscretion to her admirer Prince Bol’skii. She raises her hands , an obvious indication of her anxiety, but more subtle is what’s going on below. At first her legs are turned toward him, but as she lifts her hands they shift a bit further away from him. Her small adjustment of her torso is a kind of accompaniment of the hand gesture, like a harmonic change accompanying a melody.