kavery | Gyula Talos

Gyula Talos (1887, Budapest - 1975, Budapest)

He graduated from the School of Applied Arts as an interior decorator in 1907. He then went on a grand tour abroad (Vienna, Munich, Berlin, Brussels, Paris). From 1911 to 1913 he worked in the designing office of Béla Lajta and Béla Málnai, then he drew front pages and headers for 'Interieur', the paper associated with the mentality of Wiener Werkstatte.
He let his imagination loose in the area of architectural-artistic graphics, but his imagination consistently drew inspiration from the various sources of Art Nouveau, including the costume designs of Bakst, the fashion designs of Klinger, the graphics of Beardsley and the figural wallpapers of Viennese Art Nouveau. Contemporary Hungarian and Russian story illustrations also inspired his art. This is how his figural compositions richly interwoven with floral ornaments - that were naive and fanciful at the same time - were created. Both his trivial design artwork contributions and his 'independent' paintings were forgotten over time because of the anonymity that accompanied his whole life.

Найти картин этого художника удалось до обидного мало. :( Всего 3- 4. А мне он понравился. Такие декотративные, яркие у него работы.

Song on the Fiery Red Flower 1935

Специально вынесла это без ката. Весьма интерсный эскиз.

Tálos Gyula: Vidéki ház belső terve, 1963

Видимо, это проект интерьера, сделанный художником. Нашла это вот на этом сайте. Интерсное сочетание фольклора и стиля мебели 60-х.

55×75 cm
watercolour on paper
signed lower right: A Dumas La Dame aux Camelias Ilonkámnak Tálos Gyula 1969

Сежная королева.

Еще одна версия его биографии.
He finished his studies as interior designer at the Budapest School of Design in 1907 and went on a study tour abroad for several years (Vienna, Munich, Berlin, Brussels and Paris). In 1911-1913 he worked in the design office of Béla Lajta and Béla Málnai, then joined the periodical Interieur sharing a spiritual community with the Wiener Werkstätte to design title pages and headings. His marvellous imagination was unbridled in the area of architectural and artistic drawing, inspired by various sources of Art Nouveau: Bakst's costumes, Klinger's fashion designs, Beardsley's drawing and the figural wall-papers of Viennese Sezession. He was also inspired by contemporary Hungarian and Russian fairy-tale illustrations. All this added up to his naive and dreamlike figural compositions richly interlaced with floral ornamentation. His bagatelles in applied arts, just as his "self-contained" paintings, were buried in oblivion as anonymity prevailed in his entire career.