JASCHIK, Álmos
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kaveryJASCHIK, Álmos
(1885, Bártfa - 1950, Budapest)
He pursued his studies in the School of Design and the Art Teacher Training School. His main field of activity was drawing illustrations for literary works, but he made stage designs also. From 1935 he worked as the stage designer of the National Theatre. His independent graphic artworks and his early illustrations reflect the decorative drawing style, the line-cult and ornamentalism of the Art Nouveau.
The world of fantasy, fiction or even 'horror' gained greater significance in his later works. The interesting point in his works of art is the naturalistic drawing rich in detail, the fantastic 'story' and the wallowing in scrupulous, minute patterns. Thus his drawings are surrealistic and insinuative at the same time.
He played a leading role in developing ornament-based art teaching. He ran his own private school of modern spirit after 1920.
Angel above the City, 1918
На мой взгляд , весьма интерсный художник. Некоторые работы у него весьма декотративны, вполне в духе живописи ар нуво выполнены.
God
In the Forest (Matthew's Gospel)
<
May, c. 1910
Towards Golgota - home altar
Star Gazers
Where the Fables Are Born
Много у него работ, которые написаны в несколько иной, более графичной манере. А тематика у них такая, что скорее подошла бы к прошедшему Хэллоуину.
Bone Soup
Ball
Dream and Death
Fortune Teller
Ghost
The Wake (Dream) of the Maestro
Magician
Monsters and Ghosts
The Three paneltal Sisters
The Accused
Vision
The Roses of Love 1922
A pupil of the Model Drawing School, he obtained a teacher's diploma in 1907. He took a study tour through France, Belgium, Germany and Holland in 1908. He became a teacher at the Budapest Industrial Drawing School in 1906, and head of the book-binding and decorative leather-work department, but had to leave the institution in 1920. Upon the request of his students, he opened a private school specialising in graphic design at this point, which stayed in operation until 1950. He worked out his theory about the spiritual origins of the ornament during his years of teaching, and also published his thoughts on the problems of pedagogy. His work in scenic design took off in the twenties, and he was the costume designer for the National Theatre from 1935 onwards. He introduced the use of projection in stage-sets in Hungary, which found emphatic presence in the schools of stage design and modelling as well. As a graphic artist he was primarily an illustrator. He was a member of the Hungarian Society of Book and Advertisement Artists and also worked in animated film productions between 1942 and 1944.
(1885, Bártfa - 1950, Budapest)
He pursued his studies in the School of Design and the Art Teacher Training School. His main field of activity was drawing illustrations for literary works, but he made stage designs also. From 1935 he worked as the stage designer of the National Theatre. His independent graphic artworks and his early illustrations reflect the decorative drawing style, the line-cult and ornamentalism of the Art Nouveau.
The world of fantasy, fiction or even 'horror' gained greater significance in his later works. The interesting point in his works of art is the naturalistic drawing rich in detail, the fantastic 'story' and the wallowing in scrupulous, minute patterns. Thus his drawings are surrealistic and insinuative at the same time.
He played a leading role in developing ornament-based art teaching. He ran his own private school of modern spirit after 1920.
Angel above the City, 1918
На мой взгляд , весьма интерсный художник. Некоторые работы у него весьма декотративны, вполне в духе живописи ар нуво выполнены.
God
In the Forest (Matthew's Gospel)
<
May, c. 1910
Towards Golgota - home altar
Star Gazers
Where the Fables Are Born
Много у него работ, которые написаны в несколько иной, более графичной манере. А тематика у них такая, что скорее подошла бы к прошедшему Хэллоуину.
Bone Soup
Ball
Dream and Death
Fortune Teller
Ghost
The Wake (Dream) of the Maestro
Magician
Monsters and Ghosts
The Three paneltal Sisters
The Accused
Vision
The Roses of Love 1922
A pupil of the Model Drawing School, he obtained a teacher's diploma in 1907. He took a study tour through France, Belgium, Germany and Holland in 1908. He became a teacher at the Budapest Industrial Drawing School in 1906, and head of the book-binding and decorative leather-work department, but had to leave the institution in 1920. Upon the request of his students, he opened a private school specialising in graphic design at this point, which stayed in operation until 1950. He worked out his theory about the spiritual origins of the ornament during his years of teaching, and also published his thoughts on the problems of pedagogy. His work in scenic design took off in the twenties, and he was the costume designer for the National Theatre from 1935 onwards. He introduced the use of projection in stage-sets in Hungary, which found emphatic presence in the schools of stage design and modelling as well. As a graphic artist he was primarily an illustrator. He was a member of the Hungarian Society of Book and Advertisement Artists and also worked in animated film productions between 1942 and 1944.
