kavery | Отец и сын Хоремансы

В этом посте я хочу вам показать небольшую подборку картин двуж фламандских художников, отца и сына Янов Йозефов Хоремансов . Пока я искала их работы в сети, столкнулась с тем, что даже на сайтах музеев не всегда точно могут определить, какую картину, кто из них рисовал, поэтому на разных сайтах некотрые картины относят то к одному, то к другому из них. Так что извините, если я что-то напутаю. Главное тличие большинства работ сына , от раюот отца в том, что младший из художников использовал более светлую гамму оттенков, для своих работ, да и тематика у него более светская, а отец часто рисовал на картинах быт бедноты безо всяких прекрас.
HOREMANS, Jan Jozef I
Flemish painter (b. 1682, Antwerpen, d. 1759, Antwerpen)

Garden with Figures on a Terrace

Flemish painter. He was a pupil of the sculptor Michiel van der Voort I (1667-1737) and then of the Dutch painter Jan van Pee (before 1640-1710), who was active in Antwerp. Horemans joined the Guild of St Luke in 1706-07. He appears to have followed in the footsteps of the 17th-century Flemish genre painters, executing a few portraits and a large number of small anecdotal pictures that were highly prized on the market. In paintings such as the Village School and the Cobbler's Shop (both 1712; Vienna, Kunsthistorisches Museum), the Musical Company (1715; Brunswick, Herzog Anton Ulrich-Museum) and the Card-players (Florence, Galleria degli Uffizi) he represented scenes from contemporary everyday life that combine observation with a certain degree of stiffness. Most of his paintings are signed.

In 1746, together with his son Jan Josef Horemans II who was his main pupil and worked closely in the style of his father, he painted the Abbot of St Michel Visiting the Order of the Fencing Oath (Antwerp, Koninklijk Museum voor Schone Kunsten, Antwerp).

Horemans Family portrait

Операция

Family in kitchen

Каприччо

The Merchant of Venice from Shakespeare

A lady visiting an alchemists laboratory

Attributed to Horemans Jan Josef I
A physician a woman patient and an alchemist

HOREMANS, Jan Jozef II
(b. 1714, Antwerpen, d. after 1790, Antwerpen)

Tea time
Большая

Flemish painter, son of Jan Josef Horemans I. He qualified as a master of the Guild of St Luke in Antwerp on 10 February 1767 and was dean of the Guild on two occasions (1768-69 and 1775-76). He was a placid apologist for bourgeois virtues and, following his father's example, admirably recreated the atmosphere of his age in a multitude of small paintings that are pleasantly animated and have an old-fashioned charm. He also signed in the same way as his father, but his style was more distinguished and sensitive and his palette lighter (earning him the nickname "le Clair" that distinguishes him from his father "le Sombre").

Works such as the Musical Company, the Interior with Figures (both Amsterdam, Rijksmuseum), The Minuet (Geneva, Musйe d'Art et d'Histoire) and the Portrait of a Family (1772; Utrecht, Centraal Museum) combine traditional genre painting with the 18th-century conversation piece. Jan Josef II sometimes incorporated into his own compositions figures taken unchanged from David Teniers the Younger or Hieronymus Janssens, as in the New Neighbours (Worcester, Art Museum). He also occasionally painted interior decorations, such as the wall panels of The Seasons (private collection), and accepted a number of official commissions, such as the Entry of Charles of Lorraine into Antwerp in 1749 (Antwerp, Koninklijk Museum voor Schone Kunsten). He was still exhibiting paintings in Antwerp in 1790.